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This project was made possible by funding through the Canadian Culture Online Strategy and the Heritage Policy Branch of the Department of Canadian Heritage.

Canadian Heritage

George Kelly

George Kelly discusses his decision to become a musician

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George Kelly discusses the music scene in Jacksonville, Florida in the '20s

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George Kelly discusses his level of fame

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Transcription

Q: “The fame that should have come to you as a musician didn’t come, because you weren’t out there. You were simply happy making a living?”

A: “Then I got a break. Rather the big break came for me really, it was after I left Ink Spots. And, No, before I got at Ink Spots, I've never been overseas and I got a chance to go overseas in 1969. It was Jimmy Shand, Tiny Grimes, Paul Gunter, Hayes Alvis on bass and myself. So it seemed like after I came back from overseas, then my popularity started to gain a little bit, but then Ink Spots got me hooked up and they want my horn again. Then I decided that I'm tired. It's because I wouldn't get no sideman so I said my horn just couldn't waste it. So I decided to jump out and try. So I made a 45 record with Phil Schaap. It was called Jazz Label and they broadcasted over there in New York mostly, so I started getting a little building from there.”